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The coaxial KM30 SAG PHY HP combines a widebander with built-in piezo tweeter such that their output is time aligned.
With the adjective Grand Musical Affairs emphasizes the slightly larger cabinet which is now 1120 x 440 x 520mm. In the Grand Crescendo models we find three possible configurations.
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It accommodates two types of PHY driver configurations - a single H21LB15 SAG or one which adds a TW37 tweeter to augment the highest frequencies since the widebander only makes 14kHz. With a height of 1050mm, a width of 365mm and 480mm depth this is the smallest enclosure. The Crescendo model is how his lineup begins. His Musical Affairs company offers three ranges of PHY-based loudspeakers as long as driver supply lasts. It took literally years to arrive at the enclosure that would suit Hans’ taste both of musical delivery and aesthetics.
#Crescendo music software reviews drivers#
When Hans first encountered PHY drivers he simply had to build the perfect enclosure for them to release all the intrinsic beauty this driver can reveal. When Hans starts talking wood, his eyes light up and his hand gestures mimic the touching of the wooden grain he describes. Hans Kortenbach shares the same passion Bernard had for music, details, simplicity and last but not least for wood. It seems that with his passing we’ve been set back once again to the beginning. It’s a sad state of affairs especially in view of the fact that Bernard picked up on almost forgotten technologies and skills when he launched PHY HP. At least for now this means that what's left are whatever drivers remain in stock with various distributors and enthusiasts. His passing and subsequent family issues over the estate make it unlikely that production of PHY driver will resume. But-as always far too soon for those who remain behind-Bernard passed over into the Great Beyond in May this year. Now we’ll simply presume that you have read or re-read the story of Bernard Salabert and feel just as intrigued by this man and his products as we are. 14.50 x 7.50m with a ceiling height of 3.50m, brick walls, wooden flooring.īefore we commence with the review of the Musical Affairs Grand Crescendo we would like to invite the interested reader to pursue this link. Room treatment: Acoustic System International resonators, sugar cubes, diffusers Sundry accessories: Furutech DeMag Nanotec Nespa #1 Exact Audio Copy software iPod wood, brass, ceramic and aluminum cones and pyramids Shakti Stones Manley Skipjack
Power line conditioning: Omtec Power Controllers PS Audio Powerplant Premier PS Audio Humbuster III Įquipment racks: ASI amplifier and TT shelf
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Speakers: Avantgarde Acoustic Duo Omega Arcadian Audio Pnoe Vaessen Aquarius Musical Affairs Grand Crescendo Ĭables: complete loom of ASI LiveLine cables full loom of Crystal Cable cables Nanotec Golden Strada #79 nano 3 Nanotec Golden Strada #79 Nanotec Golden Strada #201 Preamp/integrated/power: Tri TRV EQ3SE phonostage Audio Note Meishu with WE 300B (or AVVT, JJ, KR Audio 300B output tubes) Yarland FV 34 CIIISA Qables iQube V1 Devialet D-Premier Tron Seven Phono preamp Tron Discovery He is also busy performing live with music and designing interactive installations.Sources: PS Audio PWT PS Audio PWD Dr. you know what to do!Ĭlemens Hausch lives in Vienna, Austria and at the moment doing his architectural diploma on (virtual and real) aural space. It might be a cliché to say, but in this case it's true: after listening to "broken" you wished you were there! But if you weren't, well. The third and last part: Movement 3 / lift, combines the two previously parts and builds up to a crescendo. This is done with frequency divisions of simple saw waves (manually edited into more complex waves during the course of the session) and treated with various effects like filters, resonators, etc.The result is very original, light and airy, and makes you start wonder and discern the uniqueness of Clemens Hauschs niche in music composition. The second part: Movement 2 / moor, distinguishes some very original bell like sounds run through different effects. One of the few actual samples in the session is used here. The first part: Movement 1 / static, raises the imagination with a warm droning atmosphere. Broken is a live session performed January 2007 by Clemens Hausch at the elektrogönner club in Vienna.
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He knows how he wants his music to sound and knows how to do it. Clemens Hausch is not just one of many experimental musicians.